While Nolan has provided a definitive ending to his series
of Batman films, the character is too popular and profitable for Warner
Brothers to stop producing further films after Nolan has finished. The question
of course is just how they plan to carry on after The Dark Knight Rises. A Justice League film seems like a safe
bet for introducing a new Batman, but it is far from a done deal, and that film
could easily fall apart like George Miller’s prior attempt at the League film did a
number of years back. As such, you can bet studio executives will have a number
of contingency plans in place for bringing back the Caped Crusader.
Hit the jump for five possible approaches to kick-start a new
series of Batman films. Whether executives choose to go with a variation on one
of these ideas or another one entirely is anyone’s guess, but these should
provide some food for thought.
Are audiences ready for a not-so-Dark Knight and nastier Robin? |
The Pitch: Dick
Grayson, the first Robin, has been out of touch with Bruce Wayne and those who
live at Wayne Manor for years. But when Batman seems to be going on a kill
spree, Dick returns to Gotham only to find a shocking secret: Bruce is missing, and quite possibly dead. With
an imposter Batman running riot on the streets of Gotham, Dick, with the
assistance of Alfred and, much to Dick’s surprise, Bruce’s young, violent son Damian,
steps into the shoes of his mentor in order to save the reputation of the
Batman.
The Appeal:
Drawing upon recent comic storylines, a film focused on Dick Grayson as Batman
and Damian Wayne as Robin offers up quite a bit of dramatic potential for a
series of films. For starters, by focusing on Dick Grayson, not only does it
allow a new film to stay clear of direct comparisons to the Christopher Nolan
films, it also allows the filmmakers to focus on a concept that really hasn’t
worked its way into comic cinema as of yet: legacy, a theme which would allow
Bruce Wayne to remain central to the films without necessarily having an
onscreen presence.
Also, by starting with Dick Grayson outside of the Batman
family at the start of the film, it would provide a strong mystery for a series
of films to explore: what happened to Bruce, and what was his life like leading
up to his final days? Where does Damian come from, and how does his lineage
impact who he is as a person? Such an approach would allow for some meaty
material not only for the actor chosen to play Dick, but for the entire
supporting cast, and there's even the opportunity for a Godfather Part II-style film segmented into present-day/Dick material and flashback/Bruce material. Tell me you wouldn't want to see that movie!
Last, but certainly not least, those who read the run of
comics featuring Dick and Damian know just how fun the pair were as Batman and
Robin, with a relationship which inverts the typical Batman and Robin dynamic.
A more fun loving Batman in the form of Dick who plays off a darker, meaner
Robin would likely allow the next series of Batman films to bring a bit more
lighthearted fun into the mix without heading down the dreaded road of camp
comedy.
The Potential Problems: While I would be willing to bet audiences
would accept a non-Bruce Wayne Batman, chances are Warner Brothers will not
take that bet, at least if Bruce had pratically no onscreen role in the
films. Also, if an ongoing mystery were to be set up in an initial film and
spread over an entire series, filmmakers will have to be careful to map out a
long term narrative in a way which allows each film to be satisfying without
leaving audiences feeling like they are just being strung along, a criticism
which has hit The Amazing Spider-Man despite
its success.
Likelihood of
Happening: Extremely unlikely to happen. If Warner Brothers is going to
take a risk on a film in which Bruce Wayne is not Batman, they are likely going to
go with an approach which has an already proven track record, something like…
Batman Beyond
Bring on Batman Beyond! And don't forget Ace the Bat Hound. |
The Pitch: An
adaptation of the hit animated series from the late 1990s, in which an elderly
Bruce Wayne in the future has stepped aside from the role of Batman, but
mentors a young teen named Terry McGinnis to take his place. A troubled youth
looking for redemption and a chance to avenge his father, Terry tackles a
series of more high-tech villains than his predecessor faced, though they are every bit
as dangerous, all while trying to maintain a fairly normal life.
The Appeal: When Batman Beyond was first announced, it
was a concept met with intense vocal criticism from fans. Thirteen years later,
Beyond now stands as one of the most
beloved interpretations of the Batman mythos, proving popular enough that DC
has recently launched a successful ongoing comic to carry on where the show
left off.
Much of the success of the series is due to the way in which
Batman Beyond avoids the tropes
typical to these kinds of concepts: instead of lightening up, Beyond arguably proved to be a much
darker show than the previous Batman: The
Animated Series; instead of relying upon the legacy of the previous series,
Beyond quickly and effectively
established its own world which felt like a natural extension of what fans had
known.
Most important however is the relationship between Bruce and
Terry, which lies are the heart of the show and is vital to any successful
translation to the big screen. While there is a surrogate father/son aspect of
their relationship, Bruce and Terry are far more begrudging partners than the
more traditional – and functional – Batman and Robin relationship. Part of this
is in no small part due to the fact that by the time of the series, Bruce is an
old, bitter man who has become detached from the city he once swore to protect,
and is struggling to accept his new role in the protection of Gotham.
Batman Beyond also
lends itself to a whole new visual given its future setting, alook which would distinguish it from any of
the prior Batman films and provide filmmakers a greater
degree of leeway with including the fantastic in a Batman film after the more
grounded work of Nolan.
The Potential Problems:
Spider-Man. There is simply no way to get around the fact that a teenage Batman
who tries to balance his regular life with his super-heroic duties is going to
bring comparisons to the wall crawler, regardless of the timeframe such a film
is set in. And with a moodier Peter Parker currently on the big screen, there
is an even greater risk now of Terry coming off like a clone of Parker.
Also, as with the previous concept, there is still the
question as to whether audiences would accept a Batman who isn’t Bruce Wayne, or
a more sci-fi Batman in general. Fans may be down with it, but the general
public might be a harder sell.
Likelihood of
Happening: Oddly enough, pretty good. Well before Nolan’s Batman Begins was in development, Warner
Brothers did have a Batman Beyond film
in development, with the original creators attached in some capacity. Whether
that prior attempt translates to the current studio executives also being
interested in such a film is hard to determine, but it does at least indicate
that they are aware of the fandom surrounding the property.
Dick Grayson and the
Philosopher’s Stone
You just know this is what Warner Brothers top executives dream about each and every night. |
The Pitch: How
does Warner Brothers continue their Batman franchise and replace their Harry Potter
cash cow to boot? By doing a Potter style series of Batman films focusing on
the adolescence of Dick Grayson as he becomes the ward of Gotham’s most heroic
psychopath, that’s how!
The Appeal:
Despite the glowing success of the Nolan films, if there is one nagging issue
which has dodged the Batman films, it is the issue of their accessibility to
younger viewers. I think most Batman fans would acknowledge that they became
fans as kids, and I am sure there is many a parent torn about the idea of letting
their youngest children see a Batman film where the Dark Knight busts up
Eric Roberts’ legs and where a man has half his face burned off onscreen. A
film looking at the world of Batman from the perspective of a young Robin would
provide an opportunity to make a more family friendly Batman film which would
address such parental concerns.
From a totally cynical business perspective, as I alluded to
earlier, such a series of films could provide Warner Brothers with a
replacement for their now completed Harry Potter series, something the studio
has been trying to work out for the last little while. One doesn’t need to look
too closely to see the narrative similarities between Robin and Potter: both
are the stories of boys who lose their parents and later find themselves
embroiled in a world fantasy. It’s just that the fantasy Dick finds himself in
is a world of capes and costumed criminals rather than magic. Also, like with
the Potter series, each entry in this film saga could become progressively
darker, and depending upon its length of its run, could follow Dick into his
young adulthood as Nightwing.
The Potential Problems:
There is a segment of the audience who just plain hates Robin, and will continue to no
matter how good a film about the character might be. The task of making Robin
cool is a daunting one, and is a significant factor which must be overcome if
any film built on this concept is going to be a success.
Additionally, there is the major issue of resting an entire
film franchise on the shoulders of a child actor. Most fans would agree that
the Harry Potter series lucked out in finding several child actors who grew
into being darn good actors, and there is no guarantee that such lighting would
strike twice. Indeed, there is a better than average chance filmmakers could
cast the next Edward Furlong or, God help us, Jake Lloyd rather than the next
Daniel Radcliffe.
Likelihood of
Happening: I frankly would be shocked if there isn’t some executive with a
script already in hand ready to pitch it the minute Nolan is out the door.
Batman Incorporated
I can see the taglines now: "Thrill as Bruce Wayne opens himself up to lawsuits from the criminals he faces on the streets!" |
The Pitch: “Hi,
I’m Bruce Wayne. For the last ten years, I have secretly been funding the
Batman’s war on crime. From this point on however, I am creating a company
which will not only make Batman’s crime fighting tools available to local
police officers, but will focus on creating a private army of Batmen across the
globe who don’t answer to local governments - wait, I wasn’t supposed to
announce that part…”
The Appeal: Easily the craziest concept to come out of recent
Batman comics, Batman Incorporated is
an idea which flat-out announces that audiences had better not expect the
status quo.
While most of writer Grant
Morrison’s crazier inventions for the comic would likely never fly on film, the
core idea of franchising the Batman identity across the world opens up all
sorts of doors for a series of films, moving away from Gotham City as Batman
sets about globetrotting on a James Bond-like scale. In the right hands, such a
series of films could also work satirically, lampooning modern corporate
politics and even Hollywood’s own obsession with franchises and merchandising.
The concept also has built into it
the ability to carry on the series should the actor selected to play Bruce ever
choose to step away from the films. Indeed, this could carry on in an almost
anthology like way, with each film taking audiences to a different city and a
different Batman to focus on.
The Potential Problems: The concept is so absolutely loony that it
has a better than average chance of alienating general audiences who have come
to love the more grounded take on the material. And make no mistake about it: Batman Incorporated would require
audiences to abandon any notions of seeing a grounded Batman tale.
Likelihood of Happening: Non-existent.
Legends of the Dark Knight
Want to see some approaches to the Dark Knight which have never been see before on screen? Then this is the Batman film you have been waiting for. |
The Pitch: Forget launching a series of films dealing with one
interpretation of Batman, here comes a series of anthology films from various filmmakers as they each give us a new take on the Dark Knight in
thirty minute chunks!
The Appeal: Batman is one of
the most malleable superheroes out there, so why not take advantage of it?
Rather than stick to one new take, allow various filmmakers from around the
world to take a stab at Batman in a more creative format. Want to see Batman
take on the supernatural? Batman in a 1970s style exploitation film? Or even a Batman Beyond short? This is the way to
make it happen.
The Potential Problems: I have to be honest, this is better off as
a one shot idea rather than as a franchise launching approach. Also, what actor
is going to want to take on the role of Batman only to have to share it with
several others at the same time?
Likelihood of Happening: Less than non-existent.
What about a period piece? Recently, while watching Gilmore Girls, I thought that Alexis Blidel would make a great Lois Lane, if they every did a 1940s-styled Superman film. So, why not extend that that idea to Batman? Period superhero films have worked in the past (Rocketeer, Dick Tracy, 2011's Captain America), and I think this idea has potential. Whether or not WB has the stones to set a major franchise in the past remains to be seen. I mean, I'm not asking for a series here, people, just a one-off. Could be cool and noir-like.
ReplyDeleteI'd love a period Batman film, and in many ways superhero films work better in the past. I chose not to include it here mostly so I could focus on the more out there ways to reboot the Dark Knight.
ReplyDeleteI may steal your idea, James, for my own version of this article...
ReplyDelete