The opening of Bryan Singer's
X-Men (2000) signaled its intentions as a weighty and serious comic book film, especially compared to the frivolousness the Batman franchise of the 1990s had become. That film's prologue, showing a young boy in a concentration camp being separated from his mother, is particularly effective and rather shocking. Matthew Vaughn’s
X-Men: First Class opens exactly the same way – Vaughn painstakingly recreates the scene from Singer’s film right down to the camera angles and editing. It’s a bold, curious move and its intentions aren't exactly clear, but with it Vaughn's prequel essentially reboots the franchise (Preboot? C'mon people, help me out).
